Evolutionary Paleobiology and aliens

Was at a fascinating lecture by Prof. Simon Conway Morris last night, based on his book 'Life's solution: inevitable humans in a lonely universe' in which he tried to convince us that there was nothing freakishly unlikely about human evolution - that the example of convergent evolution throughout made us, or something like us, very likely. This of course flies in the face of the most popular evolutionary biologist ever - Stephen Jay Gould -he believed that at every point, if you 'ran the tape' of time again random mutation and the wondrous variousness of life would assert itself and nothing would be the same. Morris, based on others research, demonstrated that the effects of chance and history statistically diminished as time ran but that of adaption became more pronounced. He then showed lots of lovely and interesting examples of convergency to suggest that something like us was inevitable, in the environment of the earth. He then considered possible planets and the idea of aliens and suggested that intelligence was extremely likely if life emerged in other planets. Then, suddenly, at the end of the lecture he said that there weren't enough planets and we were on our own. Bang!

The reason I mention it here is that my communications class in the Design Faculty are going to be asked to start blogs as a reflective diary and he had some intriguing examples relating to vision. He was showing how the camera eye that we have evolved in several different species completely independently (the most important things are transparent cells and the ability to change light to electricity - these have evolved long before eyes) and that he felt it was the most likely solution for an intelligent being (we would need eyes of between 1 and 10 metre diameter to see as we do if we used compound 'fly eyes'). The reason the lovely little critter at the top is here is that the star nosed mole, a native of the US, has a nose with sensitive tentacles which it feels its way around with. The strange thing is that they are wired into what would be the visual part of the brain in a human. They 'see' with their 'hands'. He claimed there was an analogue of colour for them too. He also gave the example of dolphins. They have camera eyes as we do but also echo location. Their echo location connects to their visual sense. They both see and hear visually.
I kind of see sound. Not colour, just shapes.
A.R. Luria's classic 'the mind of a mnemonist' about an auto remembering person focused on how we remember best by mixing our senses: his mnemonist was seriously synaesthesic. He had to sit in a dark room to avoid the pain of more sensory input that bled into all his other senses which he would then be forced to remember forever. He was obviously an extreme case (hence the neuropsychological casebook), but is it difficult to believe that in all of us our senses are not entirely separate? That we can talk about rhythm of colour and colour of sound would seem to suggest so. When I was younger and people were trying to disparage criticism, critical thinking, and critical writing they would say 'writing about music is like dancing about architecture'. I always thought to myself 'what a great subject for dance'.